Journal Articles (selected)
Sabatini, Arthur.  2015. “Vorticism Revisited.” Journal of Modern Literature. 38.4 Summer 178-183.

________.2011. “Museums and New Aesthetic Practices.” Museums & Social Issues. 6:1:
                                    Spring, 2011. 71-79.
________. 2008. “Avital Ronell's The Test Drive and Performance" Mofa: Journal
                                    of Performing Arts
________.2007. "Uncurating at The Slought Foundation: Art Today in Practice, Theory,
                                    Talk." Locus Suspectus. 5: 2007 12 -15. http://www.lsmagazine.ca/
________.2004. "ReViewing Robert Ashley's Music With Roots in the Aether: the first
                                   opera for television." Millennium Film Journal Fall (42) 53-70.
________.2005. "Robert Ashley: Defining American Opera." PAJ/Performing Arts
27:2 (78). 45-60.
________.2004. "From Dog to Ant:  The Evolution Of Lee Breuer's Animations." PAJ/

                                     Performing Arts Journal, 26:2 (77). 52-60.
________.1998. “Variant Readings:  On Armand Schwerner’s Prose.”  Talisman:
                                    Armand Schwerner Issue
.  19: 112-116.
________.1990. "Performance Novels:  Notes Toward an Extension of Bakhtin's Theories of
                                    Genre and the Novel." Discours Social/Social Discourse, 3, 1/2:  135-145.
________.1982. "Humor in the 1930s." Book Forum, 6, 2:  196-200.
________.1979. "On Reading José Lezama Lima's Paradiso." LatinAmerican Fiction Today, 139-146.
________.1971. "The Themes of Black Literature." Ohio English Bulletin, 12, 3: 1-4.

                      Book Chapters, Dictionary Entries/Introductions/Conference Papers (selected)
Sabatini, Arthur. 2017. "Afterword: A Reading of Martin Matuštík's Out of Silence: Repair Across Generations in

                    Contexts." New Critical Theory Press (Czech Translation)

________. “On Resonance, Paradoxical Sublimations; or, Meditations on the Legacy of a Glass Harp and

                             Philadelphia’s Sonic Unconscious.” America and the Musical Unconscious. Julius Greve amd

                             Sascha  Pöhlmann (eds.). New  York, Dresden: Atropos Press. 373-410.

________. 2014. “Orpheus and Eurydice in Performance in the 21st Century.” Myths  Revisited.  Istanbul 2ndAnnual  

                                       International Aksit Gorturk Conference  208-218.
________.2013. “Fred Ho’s Operatic Journey.” In Yellow Power! Yellow Soul: The Radical Art of Fred Ho.

                                  Eds., Roger Buckley, Tamara Roberts. Urbana: University of Illinois. Press. 63-93.
________.2011. “Daniel Lentz.” The New Grove Dictionary of Music and Musicians. Entry (update of 1999).
________.2010.  “Richard Lerman.” The New Grove Dictionary of Music and Musicians.  Entry. 577 (update of 1999)
________.2008.  “Approaching knowledge, research, performance, and the arts” for  Mapping Landscapes in

                                       Performance as Research: Scholarly Acts and Creative Cartographies, eds., Lynette Hunter,  

                                       Shannon Rose Riley.  UK: Palgrave. 2009. 114 -121. (Citation. Spatz, Ben. Review,                                         Theatre Journal, 62:3, October, 2010. 490–491).
________.2002.  “The Sonic Landscapes of Robert Ashley.” In 20th Century Theater and  Landscape.  Elinor Fuchs

                                      and Una Chauduhi, eds. University of  Michigan Press. 322-349.
________.2002. “On the Dialogics of Pedagogy and Performance.” In Teaching Performance: Theory, Practices,

                                     Pedagogy.  Stuckey, Nathan and Cynthia Wimmer, eds.  Carbondale: Southern Illinois 

                                     University Press. 259-285.  Translation into Portuguese as “A Dialógica da Performance  e da

                                    Pedagogia (trans. Martin Dahlström Heuser). educcação (Revista Centro de Educcação,

                                    Universidade Federal de Santa Maria, Brasil) 39:31 pp.  477-488.  Henz, Celso Ilgo & Bolzan,

                                    Doris Pires Vargas, (eds.)
________.2000.  Introduction:  “On Fairy Tales” Miranda Pear's Brazen Bed-Time Stories

                                    By Maralyn Lois Polak.  Books on Screen. E-book.
________.1999.  “Richard Lerman.” The New Grove Dictionary of Music and Musicians. Entry. 577.
________.1999.  “Daniel Lentz.” The New Grove Dictionary of Music and Musician   Entry. 550-551.
________.1996. "Armand Schwerner."  In Dictionary of Literary Biography. Columbia, S.C.: Bruccoli, Clark,

                                  Layman, Inc.  242-253.
________.1989  "Silent Performances:  On Reading John Cage." Bucknell Review: John Cage at 75.  Eds.

                                   Richard Fleming, William Duckworth. Lewisburg, PA:  Bucknell University Press. 74-96.